50 Fast Digital Camera Techniques (50 Fast Techniques by Gregory Georges, Larry Berman, Chris Maher

By Gregory Georges, Larry Berman, Chris Maher

* within the ideal significant other to the bestselling 50 quickly electronic photograph recommendations (0-7645-3578-1), 3 hugely acclaimed specialist photographers proportion 50 all-new quick, effortless, and strong digital camera methods either pros and inventive amateurs can learn how to use virtually instantly
* the place the 1st e-book desirous about electronic modifying strategies, this one explores utilizing electronic cameras, lighting fixtures, filters, and ideas to provide specialist effects with "wow!"
* Lavishly illustrated with attractive expert photos
* Cross-platform for home windows and Mac, and tailored for the exploding electronic images market
* spouse site and CD-ROM are either choked with all pictures from the booklet in addition to priceless utilities

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Extra info for 50 Fast Digital Camera Techniques (50 Fast Techniques Series)

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Because the camera was hand-held (instead of being mounted on a tripod), it is slightly out of focus, making the image soft, which adds to the dreamlike feel of the photo. When printed with an Epson 1280 printer, this photo made a nice print on a fine art paper such as Epson’s Archival Matte paper. Chapter 1 Getting Familiar with Your Camera If you’re somewhat familiar with cameras, then when you first get your camera, just go shoot with it. You bought it for taking pictures, so take them. After you have taken a couple dozen pictures so that you have a basic understanding of what your camera can do and where some of the controls are, then read your manual.

When thinking about this concept, you may wonder why photographers care so much about which combination of f-stop and shutter speed they use if different combinations result in the same level of light entering the lens. We care because a small opening results in more depth-of-field than a large opening. Depthof-field is a term that describes the area from near to far that is in focus; in other words, it describes how much of the image is in focus. Furthermore, because a smaller opening requires that the lens be open longer to get the same amount of light as a larger opening, an image has an increased chance of being blurred if the camera or the subject moves during exposure.

Often, many of photography’s trade-offs and limitations make getting the photo that you want challenging and that is why some photographers are better than others. The good ones learn to envision a shot, and choose the best settings based upon the constraints and trade-offs that face all photographers. With that quick and possibly overly simplistic overview of f-stop and shutter speed, the discussion of the resulting effects that different combinations can have on image blur (due to subject movement or to the photographer’s inability to hold the camera still while shooting), and the nuances of depth-offield, you can understand the challenges of capturing a photo as you envision it!

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