By Bimala Churn Law
This publication is in 2 volumes and has turn into a vintage in Pali reports. It presents an enormous volume of data approximately early Buddhism and approximately early Indian historic background. it's a priceless reference booklet for the student in addition to the final reader drawn to Buddhism.
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33 34 Genre in Asian Film and Television generate some confusion as to its intention. Programmes of a ‘hybrid’ genre are abundant in Korean television and constitute one of its specificities. They are products of a creative exploitation of the properties and characteristics of television: its extremely codified nature, the conventions of which can be changed and reinvented infinitely. This strategy of mixing genres is exploited to the full in programmes categorized as ‘education’. Some programmes explicitly and specifically intend to educate audiences in one professional domain in particular while utilizing the form of entertainment.
Localizing Strategies: Regional Traditions of Ethnographic Writing. Edinburgh: Scottish Academic Press and Washington: Smithsonian Institute, pp. 303–38. ——. (1990b) ‘The Patience of Plants: A Note on Agency in Bali’, Review of Indonesian and Malaysian Affairs, 24(2), 90–135. ——. (1991) ‘Criticizing Genres: Bakhtin and Bali’, in P. Baxter and R. Fardon (eds), Voice, Genre, Text – Anthropological Essays in Africa and Beyond. Manchester: Bulletin of the John Ryland Library, University of Manchester, 73(3), 195–216.
The emcee then draws everyone’s attention to the panel of lawyers and to the announcement of their decisions. Their decisions are presented in the same way as the jury’s. After showing the jury’s diverse reactions to the lawyers’ ‘choices’, the camera zooms in on each of the lawyers who explains the case, presents the arguments sustaining their decisions, and provides other relevant and useful legal information. The first pedagogical quality of Solomon’s Choice lies in the fact that the programme creates an atmosphere that facilitates the public’s entry to the subject.