By Mark Evan Bonds
What's track, and why does it flow us? From Pythagoras to the current, writers have struggled to isolate the essence of "pure" or "absolute" tune in ways in which additionally account for its profound impression. In Absolute track: The background of an concept, Mark Evan Bonds strains the background of those efforts throughout greater than millennia, paying distinct realization to the connection among music's essence and its traits of shape, expression, attractiveness, autonomy, in addition to its perceived ability to reveal philosophical truths.
The middle of this ebook specializes in the interval among 1850 and 1945. even though the belief of natural tune is as outdated as antiquity, the time period "absolute music" is itself rather fresh. It used to be Richard Wagner who coined the time period, in 1846, and he used it as a pejorative in his efforts to show the restrictions of simply instrumental song. For Wagner, tune that was once "absolute" was once remoted, indifferent from the area, sterile. His modern, the Viennese critic Eduard Hanslick, embraced this caliber of isolation as a guarantor of purity. purely natural, absolute tune, he argued, may perhaps discover the top strength of the art.
Bonds finds how and why perceptions of absolute tune replaced so extensively among the 1850s and Nineteen Twenties. while it first seemed, "absolute music" was once a brand new time period utilized to outdated song, yet via the early many years of the 20th century, it had become-paradoxically--an outdated time period linked to the recent track of modernists like Schoenberg and Stravinsky. Bonds argues that the foremost advancements during this shift lay no longer in discourse approximately tune yet quite the visible arts. The starting to be status of abstraction and shape in portray on the flip of the 20 th century-line and colour, in place of object-helped flow the belief of in basic terms summary, absolute song to the innovative of musical modernism.
By conscientiously tracing the evolution of absolute tune from historical Greece throughout the heart a long time to the twentieth-century, Bonds not just offers the 1st finished background of this pivotal inspiration but in addition provokes new recommendations at the essence of tune and the way essence has been used to provide an explanation for music's impression. a protracted awaited publication from essentially the most revered senior students within the box, Absolute song could be crucial analyzing for a person drawn to the historical past, concept, and aesthetics of tune.
Read or Download Absolute Music: The History of an Idea PDF
Similar music books
A guy, a microphone, and a dream
When he opened his tiny recording studio in long island in 1940, Moses Asch had a larger-than-life dream: To rfile and list the entire sounds of his time. He created Folkways documents to accomplish his objective, not only a list label yet an announcement that each one sounds are equivalent and each voice merits to be heard. The Folkways catalog grew to incorporate a myriad of voices, from international- and roots-music to political speeches; the voices of up to date poets and steam engines; folks singers Lead abdominal and Woody Guthrie and jazz pianists Mary Lou Williams and James P. Johnson; Haitian vodoun singers and Javanese courtroom musicians; deep-sea sounds and sounds from the outer ring of Earth's surroundings. until eventually his demise in 1986, Asch—with the aid of collaborators starting from the eccentric visionary Harry Smith to educational musicologists—created greater than 2000 albums, a sound-scape of the modern international nonetheless unmatched in breadth and scope. Worlds of Sound files this unbelievable trip. alongside the way in which you'll meet:
A younger Pete Seeger, revolutionizing the realm together with his five-string banjo
the fantastic vocal ensembles of the Ituri Pygmies
North American tree frogs
Ella Jenkins's children's song
Lead abdominal making a song "The nighttime Special"
The nueva canciÓn of Suni Paz.
Folkways grew to become part of the Smithsonian Institution's collections almost immediately after Asch's loss of life. this day Smithsonian Folkways keeps to make the "worlds of sound" Moe Asch first dreamed of 60 years in the past on hand to all. The Folkways imaginative and prescient is expansive and all-inclusive, and Worlds of Sound advances its wealthy and vigorous spirit.
A TIME journal most sensible 10 Nonfiction booklet of 2012
A New Yorker top ebook of the Year
Los Angeles Magazine's number 1 song booklet of the Year
A distinctive and revelatory ebook of track background that examines in nice intensity what's might be the best-known and most-popular symphony ever written and its four-note establishing, which has involved musicians, historians, and philosophers for the final 200 years.
Music critic Matthew Guerrieri reaches again earlier than Beethoven’s time to ascertain what may need prompted him in writing his 5th Symphony, and ahead into our personal time to explain the ways that the 5th has, in flip, asserted its impact. He uncovers attainable resources for the well-known starting notes within the rhythms of historical Greek poetry and likely French innovative songs and symphonies. Guerrieri confirms that, opposite to well known trust, Beethoven used to be now not deaf while he wrote the 5th. He lines the Fifth’s effect in China, Russia, and the USA (Emerson and Thoreau have been passionate enthusiasts) and exhibits how the masterpiece was once utilized by either the Allies and the Nazis in international battle II. Altogether, a desirable piece of musical detective work—a deal with for tune fanatics of each stripe.
Grunge Is lifeless weaves jointly the definitive tale of the Seattle tune scene via a sequence of interviews with the folks who have been there. Taking the shape of an “oral” heritage, this books includes over one hundred thirty interviews, besides crucial heritage info from acclaimed song author Greg Prato.
Within the writings of Nicola Vicentino (1555) and Gioseffo Zarlino (1558) is located, for the 1st time, a scientific technique of explaining music's expressive strength established upon the explicit melodic and harmonic durations from which it truly is developed. yet this 'theory of period affect' originates now not with those theorists, yet with their instructor, influential Venetian composer Adrian Willaert (1490-1562).
- Swing to Bop: An Oral History of the Transition in Jazz in the 1940s
- Mendelssohn: The Hebrides and Other Overtures (Cambridge Music Handbooks)
- Dmitri Shostakovich Catalogue The First Hundred Years and Beyond (4th Edition)
- Vibration and sound
- Silencing the Sounded Self: John Cage and the American Experimental Tradition
- A Season of Opera: From Orpheus to Ariadne
Extra resources for Absolute Music: The History of an Idea
Moyer, Musica Scientia: Musical Scholarship in the Italian Renaissance (Ithaca, NY: Cornell University Press, 1992); and Penelope Gouk, “Te Role of Harmonics in the Scientifc Revolution,” in Te Cambridge History of Western Music Teory, ed. Tomas Christensen (Cambridge: Cambridge University Press, 2002), 223–45. 16. See Tomas J. Mathiesen, “Problems of Terminology in Ancient Greek Teory: ‘APMONÍA,’ ” in Festival Essays for Pauline Alderman: A Musicological Tribute, ed. Burton L. Karson (Provo, UT: Brigham Young University Press, 1976); and Lippman, Musical Tought in Ancient Greece, 1–44.
In commanding his crew to plug their ears with wax and lash him to the mast of his ship, Odysseus was wiser: he knew that he could endure the song of the sirens only if he suppressed his spontaneous, natural, and bodily responses to it. Tis, too, is a cautionary tale, albeit one with a happier outcome. Tere is, in the end, something both delightful and disturbing about music’s power to sway us. As the critic and theologian Jeremy Collier (1650–1726) put it in his essay “On Musick” from 1694: Tough the Entertainments of Musick are very Engaging; though they make a great Discovery of the Soul; and shew it capable of strange Diversities of Pleasure: Yet to have our Passions lye at the Mercy of a litle Minstrelsy; to be Fiddled out of our Reason and Sobriety; to have our Courage depend upon a Drum, or our Devotions on an Organ, is a Sign we are not so great as we might be.
11 In practice, however, such simple dichotomies between thought and emotion or between body and spirit have proved difcult to sustain,12 and from antiquity to the present many of those who have atempted to describe the nature of music have felt obligated to reconcile the rational and emotional elements of the art. While the myths of Orpheus tell of music’s power, they do not explain its source. For that, the ancient Greeks turned to the teachings of Pythagoras, that shadowy personage of the sixth century BCE about whom so litle is known and to whom so much is ascribed.